Precisely that live venue where we hope to find Ad Infinitum as soon as possible to fully evaluate the qualities that seem evident from their studio works. Some pieces, above all 'Marching OnVersailles' and 'See You In Hell', have even benefited from the acoustic treatment, moreover presented with a gloomy and disturbing cover, because in this way the singer was able to reveal some nuances that only in live venue had emerged. The acoustic version of their first album, followed in writing and arranging by guitarist Adrian Thessenvitz, allows you to enjoy the technical qualities of all the components, also thanks to the mixing by Philipp Rösch, and spend a quiet hour, with the desire to recover the old records of Led Zeppelin or 'No Quarter' by Page and Plant.

In a sector where originality appears increasingly rare, the group led by Melissa Bonny confirms that they want to follow a different path from the others with a commercial operation that allows them to take time while waiting for the situation to improve.

In recent months we have talked about the excellent debut of the Swiss, authors of a symphonic metal with personality. Not long after, the solo project evolved into a real band when Melissa recruited three talented musicians, Niklas Müller, Jonas Asplind and Adrian Theßenvitz. Style : Symphonic Metal, Acoustic, Female vocalsīorn from Melissa’s desire to create her own music through a solo project, Ad Infinitum came to life in November 2018 with the release of its first single called « I Am The Storm ». Ad Infinitum - Chapter I: Revisited (2020)

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